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一直作(zuò )為(wéi )米(👷)路斯．科曼劇(🥇)本鐵(📒)三(🏽)角（(🍩)另一位是帕培錫，也是本(běn )片(piàn )編劇之一）成員的(🐉)艾雲．巴(bā )薩，當然也走低(dī )度戲劇路(lù )線。同是(🌗)音樂(lè )家(📼)的彼(🚤)德與卡洛(🕔)老友重逢，生(🛍)活(🎡)狀況(🕯)大不同，你有(🥄)伴侶我(wǒ )有(yǒu )(🚥)家(🐖)庭，然而都(dōu )有(yǒu )說不出的不(bú )明朗，唯有(🐶)以酒與音樂代替(tì )口(💞)水。全片推展不(🔩)問目的(de )，只在剎(chà )那間的意圖，行行企企比起(💻)科曼(màn )更義(yì )無反顧，卻(què )有生活(🙄)淡如流水的(de )詩意和(⏰)繆思，叫觀眾聯(🧤)想到二十年後(hòu )的伊力．盧(lú )馬。巴薩鍾(zhōng )愛音(🧣)樂的程度不下(🗳)於(yú )文字和電影，古典音樂與民(mín )間音樂於(🈸)全片迴轉迴盪(dàng )，難怪成了奇斯洛(luò )夫斯基十(shí )(💯)大(dà )(😝)心愛電影之一。 (🤔) 康城(chéng )(⏲)影展(zhǎn )青年(nián )(💏)評(píng )審(shěn )團(🔷)獎，美國(guó )全(quán )國(🍽)影(🏃)評(píng )人協(xié )會特別獎(🔙) (🐖) 這部1966年的珍品，是捷(🔲)克新浪潮短暫生命(🍺)中(🔪)最(zuì )佳作品之一。成名音樂家到小(xiǎo )鎮(zhèn )探訪舊同學，舊同學是個窮(👅)音(yīn )樂(lè )(🐈)教師(🍯)，有時在(🈂)喪(🚪)禮(lǐ )上(🐱)吹奏樂曲。平凡(🏡)的素材在巴素(sù )手裡，變出風趣復罕見(🏗)的旋律，一部憂(yōu )鬱(yù )的喜劇，或(🕌)灰色喜(😼)劇(🔮)。 (♟) (🔝) - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🏿) - Elliott Stein, Village Voice (👚) Source HKIFF Czech New Wave 2006
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